The patrons of CAT Theatre voted on what play they wished to see produced again to celebrate the theater’s 50th anniversary, and they chose Enchanted April. It was an appropriate choice coming from a mostly “seasoned” and well-educated looking crowd, as in many ways it reminded me of a PBS broadcast on stage.

In 1922 England, housewife Lottie Wilson (Donna Marie Miller) is a Pollyanna living a dull, dreary and loveless life with her domineering husband Mellersh (Bob Murphy). She sees an ad in the newspaper for a vacation castle for rent in Italy in April owned by Anthony Wilding (Tyler Simpson). She meets fellow sad and lonely housewife Rose Arnott (Louise Mason) who is married to philandering writer Frederick (Scott Garka) and convinces her to join her in escaping for a month away from their husbands. In order to afford it, they place an ad looking for two more women to join them and find sexy dancer Lady Caroline (Elizabeth Ashby) and dowager Mrs. Graves (Toni Cacioppo) who is Dame Maggie Smith embodied.

The vacation spot proves the answer to what ails this cast of sad and dreary people living in sad, dreary and rainy post World War I England, bringing them well needed spiritual rejuvenation.

All the pieces work well in this comedy, and each of the performers is perfectly cast by Director Pat Walker. I must single out the comedic skills of Susan Gerber, who makes the most of a supporting role as a non-English speaking Italian housekeeper. Donna Marie Miller is entertaining, energetic and fun as the central character; and Louise Mason is enthralling in the emotional and spiritual changes that Rose experiences as she blossoms.

Tony Turner’s set’s in Act I are functional and well-chosen; dividing the stage into thirds to allow for the frequent quick set changes. However, his bright and colorful Italian villa is beautifully lavish for the entirety of Act II. Charlotte Scharff’s costumes also perfectly contrast the change in the characters from drab in Act I to bright and cheery in Act II. Alan Armstrong’s lights also work well to enhance the mood and feel of each scene, with bright differentiation in Act II.

As we enter April and the end of our own long drab winter, step away from “Downtown Abbey” and watch live English comedy at its best at CAT Theatre.

Photo Gallery

Toni Cacioppo, Susan Gerber	Scott Garka, Louise Mason
Donna Marie Miller, Bob Murphy

Photos provided by CAT Theatre

The Cast

• Lottie Wilton: Donna Marie Miller
• Rose Arnott: Louise Mason
• Mellersh Wilton: Bob Murphy
• Frederick Arnott: Scott Garka
• Lady Caroline: Elisabeth Ashby
• Mrs. Graves: Toni Cacioppo
• Costanza: Susan Gerber
• Anthony Wilding: Tyler Simpson
• Carmella: Camilla Davis

The Crew

• Director: Pat Walker
• Stage Manager: Katherine-Ann Bishop
• Assistant Stage Manager: Joiseph Bishop
• Executive Producer: Kelly St. Clair
• Associate Producer: H. Lynn Smith
• Technical Director: Kent Walker
• Set Designer: Tony Turner
• Lighting Design: Alan Armstrong
• Costume Design: Charolotte Scharff
• Assistant Costumer: Betty Williams
• Sound Design: Buddy Bishop
• Props Coordinator: Andrea Wainwright-Zimmerman
• House Manager Coorodinator: Linda Sue Underwood
• House Management Team: Shari Adams, Casey Scallion, June Spencer, Lerita Carter, Celie Seeber, Christa Marshall, Janice Jones
• Light Board Operator: Katherine-Ann Bishop
• Sound Operator: Dan Gerstenlauer
• Set Construction Crew: Kent Walker, Dick Collins, Ginette Bellefeulle, Dan Gerstenlauer, Laurie Follmer, Marc Follmer, Lin Heath, Kelly St. Clair, Granville Scott, Rose Marie Mitchell, Tony Turner, Pat Walker, Betty Williams
• Costume Construction Team: Joe Bishop, Alison Eichier, Andrea Garks
• Marquee: Lin Heath
• Cast Photos: Kinney Thompson
• Season Show Logos: Mike Fletcher
• Poster Artwork: Mike Flecther and Art Trotter
• Playbill: Mike Fletcher
• Web Designer: Tony Turner
• Concessions Manager: Lynn Bailes

Disclaimer: CAT Theatre provided two complimentary media tickets to ShowBizRadio for this review.

The key words for this review are “first” and “special.”

The first production I am reviewing in this year’s Acts of Faith Festival is The Joshua Plant. CAT Theatre’s production marks the first full performance of this original work by local playwrights Amy Berlin and P. Ann Bucci.

As a special education teacher, this play is truly special to me, for its story revolves around Joshua, a teen with autism. Joshua is non-verbal, except for his internal conversations that he holds with Sid, a house plant (Joshua’s plant).

Diego Salinas goes beyond authentic in his performance. He realistically touches all the nuances of sensory overload, self stimulatory and ritualistic behaviors, facial tics, toe walking and avoidance of physical contact. CAT Theatre worked closely with the nearby Dominion School and director Laurie Follmer’s resulting work with Salinas is extraordinary. The differentiation Salinas displays in his character when he is “autistic” versus when he is “normal” in his conversations with Sid is remarkable. He not only shows a range of emotions; but does a pretty good Seinfeld impression.

Aaron Orensky is also masterful as Sid the plant. He uses his voice, energy, timing and facial characteristics to command the stage and bring to life a character who can not move from one spot.

The cast is skillfully rounded out by Rebekah Spence, as Joshua’s harrowed and overwhelmed single mother; Kathy Parker as her supportive and caring friend and Tim Gettemy as Joshua’s mother’s boyfriend. Spence balances Sandy’s love and optimism in hoping to reach her son with pain and raw emotion. Parker is spunky, down to earth and strong as the kind of friend and neighbor we’d all like to have and Gettemy is narcissistic and twisted as the alcoholic boyfriend. My only complaint was at times Jimmy came across as almost just a bit likeable and empathetic, but this was erased in the darker moments.

Lin Heath’s set design works to create the condo of Sandy and Joshua that is half living space and have special education/Occupational Therapy space. Alan Armstrong’s lights also help create the mood and time.

Berlin and Bucci have created an emotionally poignant and disarming presentation of what life must be like inside the mind of a child with autism and why they might do the things they do. As both a reviewer and a special educator I truly hope everyone who hears about The Joshua Plant gets the opportunity to experience this special work.

Photo Gallery

Diego Salinas	Diego Salinas and Aaron Orensky
Diego Salinas and Rebekah Spence	Diego Salinas, Rebekah Spence, Tim Gettemy
Tim Gettemy, Rebekah Spence and Aaron Orensky

Photos by Chamberlayne Actors Theatre

The Cast

• Sandy: Rebekah Spence
• Jimmy: Tim Gettemy
• Ruth: Kathy Parker
• Josh: Diego Salinas
• Sid: Aaron Orensky

The Crew

• Director: Laurie Follmer
• Assistant Director
• Written By Amy Berlin and P. Ann Bucci
• Stage Manager: Christy Hudson
• Assistant Stage Manager: Kent Walker
• Executive Producer: Kelly St. Clair
• Associate Production Managers: Granville Scott and Lynn Smith
• Technical Director: Kent Walker
• Set Designer: Lin Heath
• Lighting Design: Alan Armstrong
• Costume Design: Charolotte Scharff
• Sound Design: Buddy Bishop
• Props Coordinators: Jim Scott and Sandy Siler
• Fight Choreographer: Emily Turner
• House Manager Coorodinator: Linda Sue Underwood
• House Management Team: Shari Adams, June Spencer, Lerita Carter, Celie Seeber, Janice Jones
• Light Board Operator: Christy Hudson
• Lighting Assistant: Hanna Polaski
• Sound Operator: Tiffany Shifflett Jenkins
• Set Construction Crew: Jay Fleisher, Dan Gerstenlauer, Eric Kinder, Rose Marie Mitchell, Geoffrey Saur, Kent Walker, Betty Williams
• Marquee: Lin Heath
• Cast Photos: Kinney Thompson
• Season Show Logos: Mike Fletcher
• Poster Artwork: Mike Flecther and Art Trotter
• Playbill: Mike Fletcher

Disclaimer: CAT Theatre provided two complimentary media tickets to ShowBizRadio for this review. Playwright Amy Berlin writes for ShowBizRadio.